Why Doesmy Heart Hurt When I Drink Something

BIOGRAPHY.

Federico Garcia Lorca.

At 18 years old.


(Fuente Vaqueros, Spain, 1898) Poet and playwright
English. The first years of childhood spent
Federico García Lorca in the rural environment of his small town of Granada, and then to study in a town of Almeria.
continued his studies at the University of Granada, he studied philosophy and literature and graduated in law. At the university he became friends with Manuel de Falla, who exerted a great influence on him, conveying his love of folklore and popular.
From 1919, he moved to Madrid at the Residencia de Estudiantes, where he met Juan Ramón Jiménez, and Machado, and befriended poets and artists of his generation as Bunuel and Dali. In this environment, Lorca was dedicated with passion not only poetry, but also became interested in theater.
However, his first play, The Curse of the Butterfly, was a failure.
In 1921 he published his first work in verse, poetry books, with which, despite accusing the romantic and modernist influences, got attention. However, the recognition and literary success of Federico García Lorca came with the publication in 1927 of songs and above all, with acclaimed performances in Madrid and continued de Mariana Pineda, patriórico drama.
Between 1921 and 1924, while working on songs, wrote a play based on Andalusian folklore, the Poema del Cante Jondo (published in 1931), a book and more unitary and matured, with which I first experienced to be a feature of his poetry: the identification with the popular and learned later stylization, and led to full maturity with the Gypsy Ballads (1928), which was an immediate success. Es una obra poetica. Está compuesta por dieciocho romances con temas como la noche, la muerte, el cielo, la luna. Todos los poemas tratan de la cultura gitana. El autor hace muchas descripciones al mundo de los gitanos. Presenta una gran sintesis entre la poesia popular y la alta, transcurre entre dos motivos centrales, Andalucía y los gitanos, tratados de manera metafórica y mítica. En él se funden lo popular y lo culto para cantar al pueblo por un trágico destino.
Formalmente, Lorca consiguió un lenguaje personal, inconfundible, que reside en la asimilación de elementos y formas populares combinados con audaces metáforas, y con una estilización propia de las formas de poesía pura con que se etiquetó their generation.
Following this success, Lorca went to New York where he lived as an intern during the academic year 1929-1930.
the city prints printed in his mind materialized in POET IN NEW YORK (published posthumously in 1940).
Back in Spain, Federico García Lorca in 1932 was appointed director of the cabin, university theater company that they intended to bring the peoples of Castilla-century classic drama Golden
The latest works of Federico García Lorca plays are . Yerma (1934) is a real tragedy traditional way, including the protagonist chorus commenting on the action. BLOOD WEDDING (1933) is a tragedy, was released on March 8, 1933 in the theater Beatrice, and was filmed in 1981, is a poetic and theatrical production focuses on a tragic sense analisisde. Since life and death to the ancient and the modern in the way of seeing the tragedy. All of this in a tragic and universal Andalusian landscape. Among them are: The House of Bernarda Alba considered his masterpiece, was also the last, since that same year at the outbreak of civil war, was arrested by Franco's forces and shot ten days later under unclear allegations pointing poet played the role of free-thinking and character susceptible to alter the order.


Final of The House of Bernarda Alba
in the autograph manuscript of Lorca.



Poem: FUCK AND DEATH

At five in the afternoon.
was five o'clock in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A basket of lime
at five in the afternoon.
The rest was death and only death
at five in the afternoon.

Wind
cottons was at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
already fighting the dove and the leopard
at five in the afternoon.
A thigh with a desolate horn
at five o'clock.
Bourdon started the sound
at five in the afternoon.
Arsenic bells and smoke
at five in the afternoon.
In quiet corners
groups at five in the afternoon. And the bull
trembles!
at five in the afternoon.
When the sweat of snow was coming
to five p.m.
when the square was covered with iodine
at five in the afternoon, put the death

eggs in the wound at five in the afternoon.
At five in the afternoon.
At five o'clock in the afternoon.

A coffin on wheels is
bed at five in the afternoon.
Bones and flutes resound in his ear
at five in the afternoon.
The bull was bellowing through his forehead
at five in the afternoon.
The fourth
was iridescent with agony at five in the afternoon.
Far
gangrene at five o'clock. Trunk
the green lily English
at five in the afternoon.
wounds
burning like suns at five in the afternoon,
and
crowd was breaking windows at five in the afternoon.
At five in the afternoon.
¡Ay, qué terribles cinco de la tarde!
¡Eran las cinco en todos los relojes!
¡Eran las cinco en sombra de la tarde!

Lorca con la actriz Margarita Xirgu y Cipriano Rivas en la presentacion de Yerma (1934).